Anti-fascist, Anti-racist, Anti-war Music and Art / Αντιφασιστική, Αντιρατσιστική, Αντιπολεμική Μουσική
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Εμφάνιση αναρτήσεων με ετικέτα Nono. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Nono. Εμφάνιση όλων των αναρτήσεων

17/6/14

Luigi Nono - Il Canto Sospeso (1955/56)

Il Canto Sospeso (1955/56) 
(The links to the nine movements of the work are given below)

From Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Il_canto_sospeso)
Il canto sospeso (The Suspended Song) is a cantata for vocal soloists, choir, and orchestra by the Italian composer Luigi Nono, written in 1955–56. It is one of the most admired examples of serial composition from the 1950s, but has also excited controversy over the relationship between its political content and its compositional means.

History

The title Il canto sospeso may be literally translated as "The Suspended Song", though the word sospeso may also be rendered as "floating" or "interrupted". The title is actually taken from the Italian edition of a poem, "If We Die", by Ethel Rosenberg who, together with her husband Julius, was tried and convicted in America of espionage and of passing nuclear secrets to the Soviet Union. Their execution on 19 June 1953 caused outrage in Europe. The phrase in the English original is "the song unsung" (Nielinger 2006, 87).
Nono chose his texts from an anthology published in 1954 by Giulio Einaudi as Lettere di condannati a morte della Resistenza europea, a collection of farewell letters written to loved ones by captured European resistance fighters shortly before their executions by the Nazis. The score is dedicated "a tutti loro" (to all of them) (Nielinger 2006, 85). The premiere was given under the direction of Hermann Scherchen in Cologne on 24 October 1956. Four years later it was performed at the twenty-third Festival of Contemporary Music of the Venice Biennale under the direction of Bruno Maderna (Mila 1975, 382; Nielinger 2006, 83). This Venice performance was recorded for the radio on 17 September 1960 and in 1988, nearly three decades later, became the first commercially released recording of Il canto sospeso.
Four years after completing the work, Nono incorporated its entire fourth movement into his opera Intolleranza 1960 (Nielinger 2006, 83).

15/6/14

Η στρατευμένη μουσική και ο Iταλός συνθέτης Luigi Nono

του Αλέξη Πορφυριάδη


Αν ερευνήσει κανείς έργα συνθετών στρατευμένης μουσικής όπως οι Nono, Eisler, Weil, Dallapicola και Henze διαπιστώνει πόσο διαφορετική προσέγγιση είχε ο καθένας απ’ αυτούς πάνω στο ζήτημα της αισθητικής της στρατευμένης μουσικής. Ο Nono υποστήριξε ότι ο συνθέτης πρέπει να βοηθήσει το κοινό που τον ενδιαφέρει να κατανοήσει την αισθητική της avant garde και όχι να απλοποιήσει τις διαδικασίες σύνθεσης, για να μπορέσει το συγκεκριμένο κοινό να τις αντιληφθεί (όπως ήταν π.χ. η προσέγγιση των Θεοδωράκη, Eisler, ή Weil).